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Lou Rawls-Classic Soul Collection: Download the Full Album Zip of Soulful Tracks



Smooth Grooves: Essential Collection gathers the creme de la creme of the Smooth Grooves series, boiling it down to 20 classic, romantic soul hits like the Spinners' "Could It Be I'm Falling in Love" and Al Green's "Let's Stay Together." Marvin Gaye's "Let's Get It On," Kool & the Gang's "Cherish," the Chi-Lites' "Oh Girl," and Billy Paul's "Me and Mrs. Jones" are some of the other highlights of the album, which also includes tracks by Peaches & Herb, Lou Rawls, Gladys Knight & the Pips, Barry White, and the Delfonics. Though it's nearly impossible to limit an essential soul collection to just a single disc, Smooth Grooves: Ultimate Collection comes close to living up to its name.




Lou Rawls-Classic Soul Collection full album zip



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"Welcome to the colored section," Donnie sang, over church-choir harmonies on the album's opening track. "Welcome to the Negro League." Donnie often referred to himself with the old-fashioned term of "Negro," rejecting hip-hop epithets. "I'm not a nigger, I'm a Negro," he sang in "Beautiful Me." "When I become a nigger, I'll let you know." Musically Donnie looked both backward and forward. With a musical language rooted in classic soul, Donnie reached as far back as ragtime and minstrel music for his satirical look at black consumerism in "Big Black Buck." His verbal facility and rapid-fire juxtaposition of ideas, though, marked him as a member of the hip-hop generation, even as he rejected many of the musical characteristics and social attitudes associated with the hip-hop genre.


The Colored Section was moderately successful. Some felt that Motown's promotional efforts on behalf of the album were halfhearted, although the song "Cloud 9" was heard in the hit film Brown Sugar, and another selection, "Our New National Anthem," was featured in a Black Entertainment Television (BET) publicity campaign. But critics gave rave reviews. "Donnie's 'The Colored Section' might be the best soul record since Stevie Wonder's masterpieces [of the 1970s]," praised the Boston Globe, while People felt that Donnie "someday ... may just take a place alongside his cousin."


In 2005, J Dilla underwent treatment at Cedars-Sinai Medical Center for complications brought on by TTP and a form of lupus.[24] While in the hospital, he worked on two albums: Donuts and The Shining.[25] 29 out of 31 tracks from Donuts were recorded in hospital,[2] using a Boss SP-303 sampler and a Numark PT-01 record player his friends brought him.[26] Records his mother and friends would bring were used as the source of the samples for the album.[14] She recalled it in the Crate Diggers documentary:[3] "When I took the crate up, and he looked through it, I think out of a whole milk crate full of 45s, I think he might have taken a dozen out of there and set them aside. He said 'you can take that back to the house'. He said 'none of that's good'." 2ff7e9595c


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